Die 5. Welle Streamcloud

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Die 5. Welle Streamcloud

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Die 5. Welle Streamcloud

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Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness.

Top reviews Most recent Top reviews. Top reviews from the United States. There are 0 reviews and 0 ratings from the United States.

Top reviews from other countries. Translate all reviews to English. Verified Purchase. Ich kann die massive Kritik an dem Film nicht verstehen - nach Studium der Kurzbeschreibung und des Trailers habe ich genau das bekommen, was ich erwartet und gewollt habe.

Einen aufwendigen Endzeit-Film, in dem eine Gruppe Jugendliche sich gegen Gefahren behaupten muss. Mir hat er jedenfalls gefallen. Translate review to English.

Der Film ist gut, aber er kann die Tiefe der Literaturvorlage nicht wirklich abbilden. Zu wenig Zeit im Filmformat, die vielen Figuren und Entscheidungswege richtig darzustellen.

Ich empfehle das Buch. Wer nicht lesen mag, aber das Genre liebt, sollte den Film aber nicht verpassen. Keiner wollte dem Anderen so recht wehtun.

Gute Action und SciFi sehen anders aus. Hier ist eher Kopfkino angesagt. Ich fand den Film recht kurzweilig, interessant und wirklich gut gemacht.

Manche Dinge sind vorhersehbar gewesen, aber mit einiger Filmerfahrung ist das bei fast jedem Film so. Das Buch als Vergleich kenne ich nicht aber die vielen 1-Sterne Rezensionen hier kann ich nicht nachvollziehen.

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Sell on Amazon Start a Selling Account. AmazonGlobal Ship Orders Internationally. After the match, Marco confronts Karo and accuses her of causing the fight.

She replies that The Wave has brainwashed him completely, and he slaps Karo, causing her to get a nosebleed. Unsettled by his own behavior, Marco approaches Wenger and asks him to stop the project.

Wenger agrees and calls a rally for The Wave members for the following day in the school's auditorium. Once in the rally, Wenger has the doors locked and begins whipping the students into a fervor.

When Marco protests, Wenger calls him a traitor and orders the students to bring him to the stage for punishment.

Wenger uses this to test the students to see how extreme the Wave has become. Wenger declares he is disbanding the Wave, but Dennis argues that they should try to salvage the good parts of the movement.

Wenger points out that there is no way to remove the negative elements from fascism. Tim draws a gun and refuses to accept the Wave is over, fearing that he will once more be lonely and states that the Wave is his life.

When Bomber says the gun only fires blanks, Tim shoots him to prove the pistol has live rounds. Wenger tries to calm Tim, who is now aiming the gun at him.

When Tim demands why he shouldn't shoot Wenger too, Wenger says that without him, there would be no one to lead The Wave.

Tim abruptly shoots himself instead, preferring to commit suicide rather than go on living without The Wave. Wenger cradles his corpse and looks helplessly at his now traumatized students.

The film ends with Wenger being arrested by the police and driven away, Bomber being taken away to the hospital, and Marco and Karo being re-united.

The final images show Wenger in the back of a police car, staring into the camera overcome with distress. The Wave is not the only movie to convert a social experiment conducted in the United States into a fictionalized plot.

Gansel's Wave is based on teacher Ron Jones's "Third Wave" experiment , which took place at a Californian school in Because his students did not understand how something like national socialism could even happen, he founded a totalitarian , strictly-organized "movement" with harsh punishments that was led by him autocratically.

The intricate sense of community led to a wave of enthusiasm not only from his own students, but also from students from other classes who joined the program later.

Jones later admitted to having enjoyed having his students as followers. To eliminate the upcoming momentum, Jones aborted the project on the fifth day and showed the students the parallels towards the Nazi youth movements.

In , Jones published a narrative based on those experiences titled " The Third Wave ", which was made into a television movie of the same title in In the same year, Morton Rhue published his book "The Wave", which was published in Germany in and has since enjoyed great success as a school literature text.

It has sold a total of over 2. The screenplay is based on an article written by Ron Jones in which he talks about the experiment and how he remembers it.

The rights to the story which belonged to Sony were given over to Dennis Gansel for the production of a German movie.

The screenplay moves the experiment, which was carried out in California in the s, to present day Germany.

The specific location is never mentioned explicitly as it stands for Germany as a whole. He said the movie is not an adaption and that he changed characters, dialogues as well as the beginning and ending of the movie.

The major difference, however, concerns the physical violence and the bloody end which became part of the movie.

Nonetheless, Gansel claimed in an interview that it was extremely important to him to ensure that his movie would not differ as much from the experiment as Rhue's book.

According to Gansel, representatives of the Bavarian film-funding agency which were initially inquired to fund the film project declined because they compared it to Rhue's novel.

Furthermore, they criticized that the teacher lacked a clear anti-authoritarian position in the submitted script.

The entire project was jeopardized and the first film-funding agency to grant financial aid was the Medienboard Berlin-Brandenburg.

Constantin Film also became one of the sponsors and further managed the film's distribution. The overall budget of the movie amounts to 4,5 million euros and the movie was shot within 38 days.

According to Dennis Gansel , German students have grown tired of the topic concerning the Third Reich. Gansel himself had felt an oversaturation during his schooldays and had developed an emotional connection to this chapter of German history only after watching the film Schindler's List.

His film, however, was made on the premise that people felt immune to the possibility of a repetition of history as a result of the intensive study of National Socialism and its mechanisms.

It is an interesting fact that we always believe that what happens to others would never happen to us. We blame others, for example the less educated or the East Germans etc.

However, in the Third Reich the house caretaker was just as fascinated by the movement as was the intellectual. The small town the movie is set in is prosperous and does not show any salient social or economic problems and the teacher practices a liberal lifestyle.

Gansel is convinced that the plot gains a broader psychological validity by the choice of such a location. In my opinion this is complete nonsense.

He then explains that, for example, Karo's political awareness and opposition arise out of vanity: she does not like the white shirt.

He says he does not believe that films are capable of having a greater political impact on the viewers and that a film can only influence people who were already sensitized to the topic presented.

In his opinion films can at best stimulate discussions, but to be able to do that they have to be really entertaining.

He claims that in between high-brow cinema, as films by Christian Petzold , and the entertaining comedies by Til Schweiger there was a vast gap in Germany, which urgently had to be filled.

In Gansel's own schooldays it had been these kind of teachers whom he had trusted the most. Gansel, whose grandfather had been a Wehrmacht officer, also announced that this film would be the first and last one concerning the topic of the Third Reich in his career as a director.

Teacher Wenger's casual manner at the beginning of the film contributes to the expectation of a comedy. Trivia Dennis Gansel has stated that he will never make another film about national socialism again after The Wave as he feels he has said all he has to say about the subject.

Goofs at around 15 mins The teacher is formally called Rainer Wenger, although informally he uses his first name is Rainer, among his students initially and later his surname during the project, Wenger.

One might think the principal would use his first name when talking to him, but in Germany when adult colleagues speak to each other, they use their last name when talking to each other, i.

Herr Wenger. Quotes Dennis : What our generation lacks is a common goal that hold us together. Hängengebliebener : That's what it is like today.

Look around you. You know what the most goggled thing is? The film is structured by five days of the project week. At this, the beginning of every new day of the week is marked by an insert.

The narrative style doesn't keep the audience at distance, so that it can reflect on the things that happened, but rather lets them experience the occurrences; so the plot is narrated linearly.

Similar experiences of various characters, for instance, scenes in which students tell their parents about their day at school, are realized as cross-cutting and thus demonstrate the range of different perceptions of the day.

The film is narrated from the perspective of a third person, although particular scenes provide individual characters' subjective points of view.

An example for this is the scene in which Karo is in the schoolhouse at night, or the scene at the end when Wenger is arrested by the police and driven away.

While on the one hand Wenger is filmed in low angle shot and sings rock music in the opening sequence, on the other hand he seems depressed in this last scene.

This change is meant to initiate reflections on the part of the audience. So triggering off fascism involves a couple of dead persons. At some parts, the film utilizes stylistic devices of the Nazi weekly reviews, which recorded Hitler 's speeches.

An example for this is the closing speech of Wenger. In this scene the camera is placed close behind him, at the level of his nape, and so offers a view of the geometrically arranged crowd of students.

Especially the film clip in which the Wave-supporters spray their logo on buildings, is staged in the style of a music video.

There is fast, even rapid camera work and the rock music, that accompanies many of the scenes, is often characterized as impulsive. German criticism of Die Welle was extremely divided.

Solely the opinions on the actors were always the same. Because Gansel attributes a position as a left-winger and former squatter to him, he involuntarily provides further evidence for the Götz Aly 's thesis, that the 68er Bewegung have further developed the authoritarian body of thought of the Nazis of , they argued critically.

There was also disagreement about the staging. The movie was exciting, disturbing and fascinating, [20] and deals with a difficult plot as exciting entertainment, some critics pointed out.

The German version ended up in the film but the English version is available on an international version of the soundtrack. The original film score was composed by Heiko Maile , a member of the band Camouflage.

In the film and its novelization , the action takes place in the fictitious Gordon High School, which in turn is based on a series of events at a school in Palo Alto, California.

The names were changed to sound German, but the characters are similar. The outsider theme was expanded by introducing three new characters: Sinan who is Turkish , Kevin the aggressive bully, and Dennis from East Germany who is mocked as " Ossi ".

The film's ending, where there is no violence and the teacher is not arrested, is much tamer than the ending of Die Welle and is more accurate to the real-world events that inspired both films.

Furthermore, an official novel corresponding to the movie, written by Kerstin Winter, was published. The Wave was released with [27] copies in Germany on 13 March One day later it was first screened in Austrian movie theaters.

Overall the movie attracted 2. Furthermore, Ueli Christen was nominated in the category Best Editing.

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